Specifications and feasibility
On site, from rig to de-rig
Vision mixing, live
Multiplatform delivery
Conferences and events
New footage or archive, motion graphics, 16:9 / 9:16 / 1:1 versions. The promise that fills the room.
Venue visit, camera plan, sound and lighting feeds, timed running order, rehearsals with the speakers. The planning team delivers a document you can pass straight to the end client.
Large-sensor multi-camera, live vision mixing, streaming, coverage of plenaries and panels, interviews on the side, b-roll and vox pops. Indoors and out.
Editing, grading and mixing in house — that is where the turnaround is won. A clean, chaptered replay, ready to publish.
The rushes become a reserve: social formats, quotes, tutorials, video newsletters. One shared shoot, a year of content.
Modular: take the whole chain or a single item. An event, a campaign, a series of interviews, a brand film — the breakdown stays the same, from the site survey to reusing the rushes.
A set built for the brand and run like a TV show: host, guests, pre-recorded segments, on-air graphics. We supply the set, the lighting, the control room and the timed running order. The programme comes out edited, ready to publish, with short versions for social media.
Simultaneous delivery to YouTube, LinkedIn, the client’s platform or an intranet, public or access-restricted. Redundant encoding, a load test the day before, 4G backup on site. We monitor the stream throughout and deliver a clean replay.
Two to six cameras depending on the room, live mixing, screen feed for the audience and isolated recordings. Plenaries, panels and awards are covered in full; side interviews are shot the same day.
A room and remote participants, on Teams, Zoom or Meet, with the same image quality for both audiences. Sound and video return of remote speakers on set, question moderation, and separate recordings of each workshop.
Short form, in studio or on location: one to three cameras, worked lighting, autocue if needed. Used for client testimonials, internal messages and executive portraits — most of what we shoot outside events.
Before the event, a teaser that fills the room. After it, an aftermovie and a reserve of short formats cut from the same rushes: 9:16 verticals, squares, subtitled quotes. Editing, grading and mixing in house.
Full-frame bodies and cinema lenses, set for a film look rather than news. 4K recording, delivery in 4K or 1080p depending on the platform, matching colour profiles across cameras for consistent grading.
Vision mixing on site: titles, lower thirds, logos, package rolls and keys sent to air during the show. The replay therefore comes out already packaged, without a long post-production stage.
Before the shoot: venue visit, camera plan, sound and lighting feeds, power requirements, timed running order. During: technical direction on site from rig to de-rig, one contact for both the venue and the client.
Micros HF pour les intervenants, prise de son de salle, mixage en régie et enregistrement de sécurité. Lumière adaptée à la salle et à la marque, sur batteries ou secteur, avec le calcul de charge fait en amont. Pour les dispositifs plus lourds — sonorisation de concert, création lumière, murs d’images — voir la régie technique.
Cameras, lenses, lighting, grip and sound come from Pleine Image Loc, our rental arm. No sub-rental to pass on, no waiting for availability, and equipment tested before every departure.
For conferences and site tours, 360° capture usable in an immersive player or as flat excerpts. Useful when you need to show a place remotely or put the viewer back in the room.
Volume is what makes the difference: crew reflexes, backup procedures and proven equipment all come from it. And because the control room and post-production sit in the same house, a problem with a body or a lens is solved by a round trip to Saint-Denis, not by a change order.
